Devouring This Year's Festive Features: The Good, The Bad and The So-Bad-It's-Good.
It is the time of year to relax on the couch and demolish a packet of festive treats in front of a terrific flick, a poor film, or one that’s awesomely awful.
As always, a selection of new holiday movies hopes to be part of our festive viewing—maybe even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Thus, in a helpful attempt to separate the winners from the losers, and to get into the Christmas spirit, I watched as many new Christmas films as possible in a single day.
First Up: The Jonas Brothers' Holiday Flick
Kicking off, ideally, on a good foot. This film is the exclusive 2025 title on a popular review site's list of the best 100 holiday films of all time.
The popular band are stuck in the UK after concluding their global concert series and must get home for Christmas. Their attempts are hampered by an evil Santa, who sings to announce they won’t get home until they “rediscover their sibling bond.”
The repartee between the arguing trio is amusing even for the uninitiated, while followers will undoubtedly catch lots of references as they attempt to get back using all transportation available.
It’s a journey of epic proportions.
It’s not legendary, but is excellent for fans and a good start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.
8.45am - Tinsel Town
Hollywood star Kiefer Sutherland appears as a Hollywood star cast a "panto".
“A panto-what?” asks Sutherland’s “difficult” and ageing star Brad Mack, who has fallen on hard times and whose manager has deceived him into thinking he’s appearing in renowned British drama.
His pantomime cast-mates let him know he’s playing Buttons. “Oh no I’m not,” he protests. One can imagine their response. Except if you’re unfamiliar with traditional panto catchphrases.
There are some very funny lines, some cockle-warming sub-plots, and the ensemble is cracking, too.
It’s the type of film that would be a bit cheesy at a different time, but is a great entertainment at Christmas.
Festive score: 🎄🎄🎄🎄
A New Spin on Scrooge
Danny Dyer appears at the outset of this film, too, delivering a signature line for the second film in a row. Might this become a new Christmas tradition?
This time, he’s a musical taxi operator who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by an actor from Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale develops as the stingy Mr Sood is visited by the spirits of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This South Asian reinterpretation is at least distinct from all the others, but sadly he’s not very captivating and Nayyar’s acting is lifeless—a major flaw when he’s so the main character.
Holiday verdict: 🎄🎄
Lunchtime: Stuffed
Before lunch for a channel's original festive film—which stars Guz Khan as a lovably grouchy guy who “avoids Christmas.”
But after he receives an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) convinces him splurging the cash on a family trip to Lapland.
There’s just one issue—he finds out there was an mistake with his bonus, which should have been £800, and he has to determine how to reimburse the difference.
Fun while it lasts but not lasting.
Festive score: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the tree, fairy lights and snow are in the backdrop—Christmas is the environment of the film rather than its main point—but it feels cosy and festive all the same.
Driven corporate star Sydney (starring Minka Kelly) is assigned to a vineyard to negotiate a purchase for a champagne business. On the way, she meets a man in a bookshop who vows to show her a festive Paris.
A commentator recently stated this is the finest new Christmas film of the last several seasons. That’s a bit of a stretch, but it is a Christmas romance with a touch of class and gives the required warm and fuzzy feels.
The scene with a detailed conversation about Die Hard is notable too.
Holiday verdict: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the persuasion of his dad (starring James Buckley) to tell him otherwise.
The truth is somewhere, and Chris embarks on a quest to find it with the expert help of a group of well-known experts and celebrities.
It’s understated but endearing, and ideal viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
A Star-Studded Family Drama
Michelle Pfeiffer is the matriarch of a bickering American family who gather for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer starts by mentioning Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the concept, but in reality it’s really a mash-up of those forerunner films, at least until Pfeiffer’s character finally comes into her own.
Holiday verdict: 🎄🎄
Evening: A Scottish Christmas Secret
The day’s gone downhill, but happily here’s a new offering in the saturated market of cliched, saccharine, over-the-top—and highly entertaining—festive fodder.
It’s a tale as familiar as can be: An American woman journeys to a picturesque cold country and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher